Authenticity: Confidence vs. Conceit

Since Halloween is the one day of the year many dress up and change how people see their outer appearances, it's the perfect time of year to talk about something all singers struggle with: How people see and "hear" their inner appearance.  

Most singers tell me, "Dot, I don't want people to think I'm conceited."  What happens over time, is that because the singer is afraid of looking conceited, she adopts a negative inner dialogue in her mind and eventually begins to believe the lies, resulting in a lower perception about herself that is not true. 

The main problem with creating a reality like this, is that once we do so we are no longer objective.  In most instances, we then become self-sabotaging. We begin to tap into negative emotions like doubt, fear, impatience and discouragement, all in the name of not wanting to be labeled conceited!  As a result, even if we are able to hit many notes and sing well, we don't feel good about it and we're not empowered as singers because we are creating and reinforcing disempowering neural-pathways in our brain. In simple terms, we can think of neural-pathways as "muscle memory" between the brain and nervous system.  In order for us to be empowered it is important for us to create positive muscle memory in our physical body, and our minds when we sing.


Surprisingly, over the past 14 years of working in the music industry, I have noticed one thing in common with more than 90% of singers: None of them are OBJECTIVE. In other words, they're not able to observe themselves without judgement or bias. 

Unfortunately, this lack of "objectivity" leads to a stream of problems along the road of disempowerment. Unlike playing a sport, singing is directly connected to our emotions, so if we tell ourselves we're terrible, it will affect how we sound. On the other hand, if you really are a struggling singer, you want a truthful idea of where you stand. 

The question is: how do we become objective? 


1.  Record yourself singing. 

If you're the kind of person who usually listens to and belittles yourself while singing, let the recorder be your ears, and when you listen back, notice what you LIKE ABOUT YOUR VOICE. Chances are, you've already tried noticing what you don't like. Is that working for you? When you hear what you don't like, don't judge it. Just notice it and trust that it will get better with your practice, practice and positive persistence.

Adopt this empowering behavior during your vocal practice and always balance your practice in two ways:

a) Get the vocal technique correct (left brain - physical muscle memory) 

b) Surrender to the feeling and message (right brain - mental/emotional muscle memory)

2.  Seek advice from an non-relative expert

Getting advice from a family member doesn't always cut it.  In most cases, they will either rip you to shreds because they know you, or tell you that you are incredible, because they know you. Either way, it's best to go to someone who does NOT know you, but knows how to recognize your talent in an objective way. From this expert, you can learn how to KNOW your voice and become objective.

3.  Practice Authentic Self Love.  

If you can give yourself "permission to be who I am NOW" (Dot's Peaceful Agreement #1) and simply love who you presently are, then you will feel safe enough to face the parts of your voice that are great, AND the parts that are not so great. From this OBJECTIVE space, you can build your voice without falling into the self-sabotaging traps that many singers do fall into. If you are truly confident, people will not accuse you of being conceited, because you are authentically aligned with who you really are. A person who is authentic is respected.

Most of us have to work hard to get to the place where our INNER APPEARANCE is confident. Once we feel confident on the inside, we can create positive neural-pathways in our brain that support empowered vocal practice and a powerful outer performance. 

Keep singing with C.O.R.E. (inner) VOCAL POWER (outer)!